切换期刊

期刊栏目

刊期目次

查看全部 >

加入编委

期刊订阅

添加您的邮件地址以接收即将发行期刊数据：

当前位置：人文与社会科学学刊 > 2026年8月-2卷8期 > 文章详情

Open Access Article

PDF

本期PDF

师古·造化·我心——赖少其《黄山之雾》中的笔墨运用与精神还乡

Learning from the Ancients，Emulating Nature，and Following One’s Heart: Brush-and-Ink Application and Spiritual Homecoming in Lai Shaoqi’s Mist on Mount Huangshan

作者：刘雪风

单位：广州美术学院

卷期：2026年8月-2卷8期

DOI：10.70693/202607160012

页码：179-184

发布时间：2026-08-06

总浏览量：237

摘要

本文以赖少其先生晚年山水画代表作《黄山之雾》为研究对象，通过视觉语言分析与艺术渊源追溯，探讨其在传统与现代之间的笔墨运用与精神表达。文章首先从观展体验出发，指出赖少其先生与弘仁的风格关联与差异，进而梳理其在新安画派、黄宾虹等传统脉络中的学习与选择，并重点分析《黄山之雾》在构图、透视、皴法、点墨等方面的融合与创新。文章认为，该作品不仅是赖少其先生个人艺术生涯的总结，更体现了其在“师古人、师造化”基础上走向“我师我心”的创作自觉，实现了从自然景观到心象图式的升华，完成了一次深具文化寓意的“精神还乡”。

关键词

赖少其；新安画派；黄山；精神还乡

Abstract

This paper takes Mist on Mount Huangshan (1991), a representative landscape painting from Lai Shaoqi’s later years, as its primary subject. Through visual analysis and a tracing of artistic origins, it explores the artist’s brush-and-ink practice and spiritual expression situated between tradition and modernity. The study begins with the author’s exhibition experience, pointing out the stylistic connections and differences between Lai Shaoqi and the early Qing master Hongren. It then examines Lai’s engagement with and selective absorption of the Xin’an School of Painting and Huang Binhong’s legacy. The core analysis focuses on the synthesis and innovation in composition, perspective, texturing methods (cunfa), and dotting techniques within Mist on Mount Huangshan. The paper argues that this work not only encapsulates Lai Shaoqi’s lifelong artistic achievement but also manifests his creative selfawareness of moving from “learning from the ancients” and “emulating nature” to ultimately “following his own heart.” In doing so, it elevates natural scenery into a mental landscape, accomplishing a “spiritual homecoming” rich with cultural significance.

Keywords

Lai Shaoqi；Xin'an School of Painting；Mount Huangshan；spiritual homecoming

下载PDF

引用本文

刘雪风. 师古·造化·我心——赖少其《黄山之雾》中的笔墨运用与精神还乡[J]. 人文与社会科学学刊. 2026, 2 (8): 179-184. DOI: 10.70693/202607160012.

APA引用

刘雪风. (2026). 师古·造化·我心——赖少其《黄山之雾》中的笔墨运用与精神还乡. 人文与社会科学学刊, 2 (8), 179-184. https://doi.org/10.70693/202607160012

参考文献

[1]胡志亮.木石魂：赖少其传[M].北京：中国青年出版社，2000.
[2]于在海．赖少其版画文献集[Ｍ].合肥：安徽美术出版社，2003.
[3]赖少其艺术馆.《赖少其艺术学术研究参考图文集》[M].合肥：安徽美术出版社，2012.
[4]陈传席.中国山水画史[Ｍ].天津：天津美术出版社，1998.
[5]于在海.赖少其山水画集[Ｍ].合肥：安徽美术出版社，2015.
[6]陈传席.六朝画论研究[Ｍ].北京：中国青年出版社，2014.
[7]陈传席.评现代名家与大家·续集——赖少其[Ｊ].国画家.2005(02).
[8]罗一平.大道之道——赖少其绘画艺术[J].美术报.2015(011).
[9]傅爱国.剑胆琴心托豪素笔底风云是精神——赖少其书画艺术释读[J].书画世界.2006(02).
[10]陈光俊.赖少其山水画传统略论[J].书画世界．2012(154).
[11]周宗岱.由赖少其谈传统书画学习方法[J].美术报.2012-11-10(010).
[12]李伟铭.林风眠、关良、赖少其艺术异同论[Ｎ] .中国文化报.2007-11-18(006).