摘要

唐代墓室壁画是中国古代壁画的鼎盛时期,2014年紧急发掘的韩休墓墓室壁画保存完好，具有重要的美术史价值。本文以韩休墓《玄武图》为核心研究对象，对比同期多幅墓室玄《武图像》的形制差异，并探析画面颜料来源与文化功能。韩休墓《玄武图》既是唐代四神图像程式化代表，也承载着玄武图像形成的发展脉络与盛唐儒释道三教融合的思想内涵，集中反映了唐代上层社会的丧葬观念与色彩审美体系。

Abstract

The mural paintings in Tang Dynasty tombs represent the heyday of ancient Chinese mural art. The mural paintings in the tomb of Han Xiu, urgently excavated in 2014, are well-preserved and hold significant value in art history. This paper focuses on the "Xuanwu Image" from the tomb of Han Xiu, comparing its form with those of multiple tomb mural paintings of the same period, and exploring the sources of the paint and its cultural function. The "Xuanwu Image" from the tomb of Han Xiu not only represents the stylization of the four divine images in the Tang Dynasty but also carries the development trajectory of the Xuanwu image and the ideological connotation of the fusion of Confucianism, Buddhism, and Taoism during the Tang Dynasty's heyday. It reflects the funeral concepts and color aesthetic system of the upper-class society in the Tang Dynasty.

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