摘要

“创意劳动”是当代马克思主义哲学理论回应数字经济和创意产业发展的核心范畴。马克思在《1844年经济学哲学手稿》中提出了“异化劳动”与“劳动创造美”的著名命题；马克思在《资本论》及其手稿中将对人类实践活动的领域划分为“必然王国”与“自由王国”，并指出后者以拥有可自由支配的时间为其根本特征，从事科学研究、艺术创造等，以便得到自由发展。有学者指出，创造性是马克思劳动理论的重要基础，它既体现在马克思对劳动本真维度的揭示之中，也体现在对异化劳动的批判之中。创意劳动作为一种特殊的劳动形态，其过程对于劳动者来说不是一个失去人的本性和失去自由的过程，而是重新在劳动产品中注入劳动自我意志的对象化活动。

Abstract

"Creative labour" is a core category in contemporary Marxist philosophical theory in response to the development of the digital economy and creative industries. In his Economic and Philosophic Manuscripts of 1844, Marx put forward the well-known propositions of "alienated labour" and "labour creates beauty." In Capital and his manuscripts, Marx divided the sphere of human practical activity into the "realm of necessity" and the "realm of freedom," pointing out that the latter is fundamentally characterised by the possession of freely disposable time, enabling individuals to engage in scientific research, artistic creation, and the like, so as to achieve free development. Scholars have noted that creativity constitutes an important foundation of Marx's theory of labour, manifested both in his revelation of the authentic dimension of labour and in his critique of alienated labour. As a special form of labour, the process of creative labour does not signify for the labourer a loss of human nature or freedom, but rather an objectifying activity in which the labourer's self-will is reinfused into the product of labour.

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