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当前位置：人文与社会科学学刊 > 2026年9月-2卷9期 > 文章详情

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《礼器碑》清代书风流变探赜

An Exploration of the Evolution of the Calligraphic Style of the Liqi Stele in the Qing Dynasty

作者：李安妮

单位：泉州师范学院

卷期：2026年9月-2卷9期

DOI：10.70693/202608313014

页码：225-228

发布时间：2026-09-10

总浏览量：165

摘要

《礼器碑》作为东汉隶书名碑，以瘦劲挺健、方圆兼备、平正寓险的艺术特征著称。清代金石学兴盛与碑学思潮的发展，使其重新受到书坛重视，并在不同阶段呈现出不同的取法倾向。清初书家重在探寻汉隶法度，通过品评与临习确立《礼器碑》的经典地位；清中期书家逐渐由点画摹习转向对篆隶关系、金石意趣与整体神韵的体悟；至晚清，何绍基、杨岘等书家进一步融入个人笔法与审美追求，对其进行创造性转化。由法度探寻、神韵体悟到化古为新，《礼器碑》在清代的书风流变，既体现了历代书家对汉隶传统的不断阐释，也折射出清代隶书由复古取法走向个性化创造的发展轨迹。

关键词

《礼器碑》；清代书法；隶书；书风流变；碑学

Abstract

The Liqi Stele, a celebrated example of Eastern Han clerical script, is distinguished by its slender yet vigorous strokes, integration of angular and rounded brushwork, and balance between stability and dynamic tension. With the flourishing of epigraphic studies and the rise of the Stele School in the Qing dynasty, it became an important model for calligraphers. In the early Qing, calligraphers focused on exploring its formal principles; by the mid-Qing, attention shifted toward its epigraphic aesthetics and artistic spirit; and in the late Qing, calligraphers such as He Shaoji and Yang Xian transformed its brushwork and structure into individualized expressions. This evolution from formal emulation to spiritual interpretation and creative transformation reflects the development of Qing clerical-script calligraphy from revivalist study toward individual artistic creation.

Keywords

Liqi Stele; Qing Dynasty Calligraphy; Clerical Script; Evolution of Calligraphic Style; Stele School

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引用本文

李安妮. 《礼器碑》清代书风流变探赜[J]. 人文与社会科学学刊. 2026, 2 (9): 225-228. DOI: 10.70693/202608313014.

APA引用

李安妮. (2026). 《礼器碑》清代书风流变探赜. 人文与社会科学学刊, 2 (9), 225-228. https://doi.org/10.70693/202608313014

参考文献

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