添加您的邮件地址以接收即将发行期刊数据:
生成式人工智能软件对文学翻译的介入引发对译者主体性的重新审视。本研究选取《飘》第一章作为研究对象,通过对比梅静译本与Deepseek译本在外貌描写、语言描写及环境描写的翻译策略,以谢天振创造性叛逆为理论视角,分析译本在文化传递、语域再现及文学风格重塑上的差异。研究发现:梅译本具有有意识的审美判断、文化自觉和语域敏感度;而AI译本尽管在语义准确性和流畅度上表现良好,但在文化意向的深层激活、语域差异的系统性再现以及叙事氛围的整体把握上具有很大的局限。于此,本研究提出,AIGC时代,译者主体性应从执行者角色转换为策展人,从而让机器翻译在提高人的生产力的同时,更具人的生命力。
创造性叛逆;译者主体性;AIGC;文学翻译;《飘》
The involvement of generative artificial intelligence in literary translation has prompted a re-examination of translator subjectivity. This study selects Chapter One of Gone with the Wind as its research object. By comparing the translation strategies used in Mei Jing’s translation and the DeepSeek translation in rendering descriptions of appearance, speech, and environment, and by adopting Xie Tianzhen’s theory of creative treason as its theoretical perspective, this study analyzes the differences between the two translations in cultural transmission, register reproduction, and the reshaping of literary style. The study finds that Mei’s translation displays conscious aesthetic judgment, cultural awareness, and register sensitivity. By contrast, although the AI translation performs well in semantic accuracy and fluency, it shows significant limitations in deeply activating cultural imagery, systematically reproducing register differences, and grasping the overall narrative atmosphere. On this basis, the study proposes that in the AIGC era, translator subjectivity should shift from the role of executor to that of curator, so that machine translation can enhance human productivity while being endowed with greater human vitality.
creative treason; translator subjectivity; AIGC; literary translation; Gone with the Wind
马云龙. AIGC时代文学翻译中译者主体性的嬗变与重构 ——基于《飘》梅静译本与AI译本的对比研究[J]. 人文与社会科学学刊. 2026, 2 (9): 218-224. DOI: 10.70693/202608301057.
马云龙. (2026). AIGC时代文学翻译中译者主体性的嬗变与重构 ——基于《飘》梅静译本与AI译本的对比研究. 人文与社会科学学刊, 2 (9), 218-224. https://doi.org/10.70693/202608301057